Author: Anniyah Fitzhugh
On Thursday, July 9, Downtown Seattle’s Westlake Park was filled with sunshine, music, and anticipation as people gathered to welcome the incredible four-sibling band, Infinity Song. The New York-based soft rock group has built a devoted following across the U.S. and Europe, and they are currently on tour supporting their self-titled album, Infinity Song, with more than 40+ stops.
They opened the afternoon with a cover of Fleetwood Mac’s “Dreams,” and from the very first note it was clear this would not be a typical cover. Backed by a full band, they transformed the song into something completely their own.
The performance began with Momo Boyd taking the lead. Her voice effortlessly floated over the band’s gentle instrumentation. As the song settled into its groove, Angel Boyd’s soaring harmonies drifted above the melody, adding another layer of warmth. By the second verse, Abraham and Israel Boyd joined in. Their voices blended together so naturally that it felt less like four individual singers and more like one perfectly woven sound.
Within minutes, the audience got a glimpse of what makes Infinity Song so special. Their music lives somewhere between soft rock, soul, and folk vibe, creating a groove that feels relaxed while still carrying the power and emotion of rock music. Every member found little moments to contribute their own vocal runs or harmonies. Each addition built another layer until the music felt almost orchestral.
Just when it seemed like the song was winding down, everything changed. The instruments softened, and for a moment it felt like the performance had reached its natural ending.
Then Israel reignited the song with a piercing guitar riff that sent a surge of energy through the crowd.
The band surged back into the music, transforming the soft soulful vibe into a full rock performance. Momo returned with even more intensity, belting the lyrics,
“What you lost… and what you had…”
Each repetition carried more emotion than the last, completely changing the feeling of the song. What began as a dreamy, laid-back classic evolved into something raw and powerful.
The cover continued, and the music dropped away once more, leaving only the four siblings’ voices singing together in breathtaking harmony. Their vocals filled the park, creating one of the most captivating moments of the performance even though the band was just getting started.
Every harmony, every guitar strum, and every glance between the siblings felt effortless. Their chemistry cannot be manufactured because it comes from a lifetime of making music together. Nothing about their performance felt rehearsed for the sake of appearances. Their stage presence was completely authentic, making the audience feel like they were witnessing four siblings simply doing what they love most.
As we approached the anticipated end of the song, the final harmonies echoed through Westlake Park:
“When the rain washes you clean, you’ll know…
You’ll know…
You will know…
Oh, you’ll know…”
The crowd, completely captivated, soaked in a performance that was equal parts soulful and electrifying. It was a remarkable way to open Downtown Seattle’s summer concert series.
Photo Credit: Anniyah Fitzhugh
They kept the night moving with songs like “Hurricane” and “Sayonara” from their new album while still making room for older favorites like “Metamorphosis,” “Slow Burn,” and “Haters Anthem.” The biggest reaction came during “Haters Anthem,” a standout track from Metamorphoses Completed that has racked up more than 8 million streams on Spotify.
Between songs, the band spent as much time interacting with the crowd as they did playing, making the whole set feel less like a performance and more like a shared experience.
One of the best moments came when Abraham asked everyone to forget about looking cool for just 30 seconds and simply dance. No small movements or standing in place, just let go and enjoy the music and the community around you. It was one of those reminders that live music is more than songs. Watching the band genuinely enjoy themselves onstage made it easy for the crowd to do the same, and seeing that excitement bounce back and forth between the audience and the band became one of the most memorable parts of the night.
The set continued with “London Foxes.” Midway through the song, every member of the band jumped off the stage and into the crowd. In an instant, there was no separation between the performers and the audience. Fans sang, danced, and laughed alongside the band as Westlake Park became one giant celebration. Rather than feeling like a choreographed moment, it happened naturally, making the connection between Infinity Song and the crowd feel even more authentic.
Watching the band immerse themselves in the crowd revealed a humility that can sometimes be rare to see at live shows. More than anything, it highlighted their passion for music and their desire to make every person in the room feel like they were part of the experience.
Once “London Foxes” came to an end, the atmosphere shifted into something quieter and more reflective with one of Momo’s original songs, “American Love Song.” The performance was heartbreakingly beautiful, carried by Momo’s unmistakable voice, which is both powerful and deeply expressive. Every lyric felt intentional, drawing the audience into the story that she was telling.
Later, Abraham also came on stage to perform “Running Away” from the newest album, and truly, the instrumentals and vocals on the track are ethereal. I was unfamiliar with the song, but ever since hearing Abraham perform it, it has been stuck in my head. The lyricism, vocal flexibility, and range he has is amazing.
Photo Credit: Anniyah Fitzhugh
Infinity Song’s performance at Westlake Park was more than just a concert. Oftentimes, live shows have a dollar amount attached to them, making it hard for them to truly be all about the music. But this performance was different. It was simply about Infinity Song sharing their music with the Seattle community. Their authenticity and talent set a high bar for the rest of Seattle’s Downtown Summer Sounds concert series.
After the show, I asked Israel Boyd what he thought of the Seattle crowd. His response was short, simple, but somehow perfectly captured the afternoon:
“Seattle, you were cool.”